For L’Invisible, like his other two most recent operas Bernarda Alba’s House and Medea, Aribert Reimann has turned to a text of world literature, adapting it as his own librettist. With it, he returns to his “home” opera house, the Deutsche Oper Berlin. Four of his stage works were commissioned by that opera house and the world premiere of his new, ninth opera was also given there. It was staged by Vasily Barkhatov, one of the most interesting Russian directors of his generation and the premiere was conducted by the Principal Conductor himself, Donald Runnicles.